For Victorian critic John Ruskin, the "sublime" described an aesthetic experience of awe and magnificence accompanied by subjective and even violent emotion. Guest curator Joel Sternfeld, a photographer and videog-rapher teaching at Sarah Lawrence College, re-visits this concept in "Landscapes After Ruskin," selecting from over 6,000 works of post-World War II art in the collections of the Hall family and Hall Art Foundation. Quaintly staged in the buildings of a former Vermont dairy farm, the exhibition asks whether we can ever separate the human mark from nature. Its imagery challenges us to recognize a world outside that increasingly fails us as we fail it.