When the 19th century English art critic John Ruskin described his theory of the sublime in art, he was in the midst of vigorously championing the work of his countryman, the painter J.M.W. Turner.
When the 19th century English art critic John Ruskin described his theory of the sublime in art, he was in the midst of vigorously championing the work of his countryman, the painter J.M.W. Turner.
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