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Joseph Beuys & Jörg Immendorff: Art Belongs to the People!: Ashmolean Museum, Oxford

Past exhibition
10 April 2014 - 4 January 2015 Other
  • Information
  • Installation Views
  • Artworks
  • Press
  • Publications
  • Artists
  • Art Belongs to the People! is the second in the Ashmolean's series of exhibitions of post-war and contemporary art presented in collaboration with the Hall Art Foundation (USA). Curated by Sir Norman Rosenthal, the exhibition shows a selection of important works by two outstanding German artists, Joseph Beuys (1921-1986) and Jörg Immendorff (1945-2007).

  • INFORMATION

    The exhibition focuses on the artists' output from 1968 onwards, evoking the world of the student protests which were taking...

    Joseph Beuys, Democracy is Merry, 1973

    The exhibition focuses on the artists' output from 1968 onwards, evoking the world of the student protests which were taking place across Europe and in the United States. In 1968, Beuys was a teacher and Immendorff his student at the Düsseldorf Academy of Art. Beuys had already established himself as a leading figure of the post-war avant-garde and had been involved with the international Fluxus movement since the early 1960s. His provocative statements and work in new and challenging media - performance pieces, sculpture in felt and animal fat - gave expression to his radical conception of art that won him both a devoted following and vehement opposition.
  • Jörg Immendorf joined the Düsseldorf Academy of Art in 1963 as a theatre design student before he changed course to...
    Jörg Immendorff, Solidarität hilft siegen (Solidarity helps conquer), 1974
    Jörg Immendorf joined the Düsseldorf Academy of Art in 1963 as a theatre design student before he changed course to study under Beuys. He was, throughout his career, involved in international protest movements, taking part in the anti-Vietnam war rallies, the Green movement, and, from the 1970s, engaged in the debate over the division of Germany.
  • Art Belongs to the People! shows approximately fifty works by the artists dating from 1968 up to paintings completed by...

    Joseph Beuys, Felt Suit, 1970

    Art Belongs to the People! shows approximately fifty works by the artists dating from 1968 up to paintings completed by Immendorff in 2005. The exhibition includes iconic pieces by each artist, amongst them Beuys's Sled (1969), and Felt Suit (1970); and two works from Immendorff's Café Deutschland series (1983).
  • Sir Norman Rosenthal, Curator of the exhibition, says: “Joseph Beuys and Jörg Immendorff were artists who worked at the vanguard...

    Jörg Immendorff, Café Deutschland - Heuler, 1983

    Sir Norman Rosenthal, Curator of the exhibition, says: “Joseph Beuys and Jörg Immendorff were artists who worked at the vanguard of the aesthetic battles which were being fought in Germany in the wake of the Second World War. From the moment they met until the end of both their lives, and in spite of employing different working methods, Beuys and Immendorff were closely engaged with each other’s work in what was effectively a permanent dialogue. Art Belongs to the People! demonstrates the involvement of both artists with contemporary politics and issues of universal human concern, and their belief in the role of art in changing how people think and how they live their lives.”

     

    Joseph Beuys & Jörg Immendorff: Art Belongs to the People is curated by Sir Norman Rosenthal Kt. The exhibition is organized by the Hall Art Foundation in collaboration with the Ashmolean Museum, University of Oxford.

     

  • Installation Views
  • Artworks
    • Jörg Immendorff, Die Lidlstadt nimmt Gestalt an. Lidlstadtplan IX (LIDL City takes shape, LIDL City map IX), 1968
      Jörg Immendorff, Die Lidlstadt nimmt Gestalt an. Lidlstadtplan IX (LIDL City takes shape, LIDL City map IX), 1968
    • Jörg Immendorff, Die Lidlstadt nimmt Gestalt an. Lidlstadtplan X (LIDL City takes shape, LIDL City map X), 1968
      Jörg Immendorff, Die Lidlstadt nimmt Gestalt an. Lidlstadtplan X (LIDL City takes shape, LIDL City map X), 1968
    • Jörg Immendorff, Tischtennisobjekt (Ping-Pong Object), 1972
      Jörg Immendorff, Tischtennisobjekt (Ping-Pong Object), 1972
    • Jörg Immendorff, Diese Fragen an die Kuenstler richten - auf Antwort bestehen! (Pose these questions to the artists – insist on answers!), 1972
      Jörg Immendorff, Diese Fragen an die Kuenstler richten - auf Antwort bestehen! (Pose these questions to the artists – insist on answers!), 1972
    • Jörg Immendorff, Kollege Mueller, Gerda Mueller und Sohn Peter am 1. Mai 1973 (Comrade Müller, Gerda Müller and son Peter on May 1, 1973), 1972
      Jörg Immendorff, Kollege Mueller, Gerda Mueller und Sohn Peter am 1. Mai 1973 (Comrade Müller, Gerda Müller and son Peter on May 1, 1973), 1972
    • Jörg Immendorff, Frankfurt/Main, 1973
      Jörg Immendorff, Frankfurt/Main, 1973
    • Jörg Immendorff, Dortmund, 1973
      Jörg Immendorff, Dortmund, 1973
    • Jörg Immendorff, Hamburg, 1973
      Jörg Immendorff, Hamburg, 1973
    • Jörg Immendorff, Untitled, 1974
      Jörg Immendorff, Untitled, 1974
    • Jörg Immendorff, Solidarität hilft siegen (Solidarity helps conquer), 1974
      Jörg Immendorff, Solidarität hilft siegen (Solidarity helps conquer), 1974
    • Jörg Immendorff, Heran an die Ausstellung (Let‘s start on the Exhibition!), 1974
      Jörg Immendorff, Heran an die Ausstellung (Let‘s start on the Exhibition!), 1974
    • Jörg Immendorff, Die Kunst gehört dem Volk (Art Belongs to the People), 1975
      Jörg Immendorff, Die Kunst gehört dem Volk (Art Belongs to the People), 1975
    • Jörg Immendorff, Die Geschichte der EPAS/Breschnew (The story of EPAS/ Breschnew), 1976
      Jörg Immendorff, Die Geschichte der EPAS/Breschnew (The story of EPAS/ Breschnew), 1976
    • Jörg Immendorff, Zwei Wird Zu Einem (Two Will be One), 1979
      Jörg Immendorff, Zwei Wird Zu Einem (Two Will be One), 1979
    • Jörg Immendorff, Antikriegsbild I - Was willst Du? (Anti-War Image I, What do you Want?), 1982
      Jörg Immendorff, Antikriegsbild I - Was willst Du? (Anti-War Image I, What do you Want?), 1982
    • Jörg Immendorff, Café Deutschland - Heuler, 1983
      Jörg Immendorff, Café Deutschland - Heuler, 1983
    • Jörg Immendorff, Café D Folgen (from Café Deutschland), 1983
      Jörg Immendorff, Café D Folgen (from Café Deutschland), 1983
    • Jörg Immendorff, Konferenz über Plastik oder Anarchie in der Galerie (Conference on Sculpture or Anarchy in the Gallery), 1985
      Jörg Immendorff, Konferenz über Plastik oder Anarchie in der Galerie (Conference on Sculpture or Anarchy in the Gallery), 1985
    • Jörg Immendorff, Gyntiana – Geburt Zwiebelmann (Gyntiana – Birth of Onionman), 1992
      Jörg Immendorff, Gyntiana – Geburt Zwiebelmann (Gyntiana – Birth of Onionman), 1992
    • Jörg Immendorff, Sohn der Sonne (Son of the Sun), 1998
      Jörg Immendorff, Sohn der Sonne (Son of the Sun), 1998
    • Jörg Immendorff, Untitled, 2000
      Jörg Immendorff, Untitled, 2000
    • Jörg Immendorff, Untitled, 2005
      Jörg Immendorff, Untitled, 2005
    • Joseph Beuys, Horn, 1969
      Joseph Beuys, Horn, 1969
    • Joseph Beuys, A Party for Animals, 1969
      Joseph Beuys, A Party for Animals, 1969
    • Joseph Beuys, Sled, 1969
      Joseph Beuys, Sled, 1969
    • Joseph Beuys, Ja Ja Ja Ja Ja, Nee Nee Nee Nee Nee, 1969
      Joseph Beuys, Ja Ja Ja Ja Ja, Nee Nee Nee Nee Nee, 1969
    • Joseph Beuys, Es gibt Gute, Boese und Krefelder (There are Good People, Bad People, and People from Krefeld), 1970 ca.
      Joseph Beuys, Es gibt Gute, Boese und Krefelder (There are Good People, Bad People, and People from Krefeld), 1970 ca.
    • Joseph Beuys, Heidelberg, 1970
      Joseph Beuys, Heidelberg, 1970
    • Joseph Beuys, Felt Suit, 1970
      Joseph Beuys, Felt Suit, 1970
    • Joseph Beuys, How the Dictatorship of the Parties Can be Overcome, 1971
      Joseph Beuys, How the Dictatorship of the Parties Can be Overcome, 1971
    • Joseph Beuys, Backrest for a Fine-Limbed Person (Hare-Type) of the 20th Century A.D., 1972
      Joseph Beuys, Backrest for a Fine-Limbed Person (Hare-Type) of the 20th Century A.D., 1972
    • Joseph Beuys, Save the Woods, 1972
      Joseph Beuys, Save the Woods, 1972
    • Joseph Beuys, La rivoluzione siamo Noi (We are the revolution), 1972
      Joseph Beuys, La rivoluzione siamo Noi (We are the revolution), 1972
    • Joseph Beuys, We Won't Do It without the Rose, 1972
      Joseph Beuys, We Won't Do It without the Rose, 1972
    • Joseph Beuys, Democracy is Merry, 1973
      Joseph Beuys, Democracy is Merry, 1973
    • Joseph Beuys, Rose for Direct Democracy, 1973
      Joseph Beuys, Rose for Direct Democracy, 1973
    • Joseph Beuys, Two FLUXUS-Objects, 1974
      Joseph Beuys, Two FLUXUS-Objects, 1974
    • Joseph Beuys, Dillinger, 1974
      Joseph Beuys, Dillinger, 1974
    • Joseph Beuys, Flight to America, 1974/84
      Joseph Beuys, Flight to America, 1974/84
    • Joseph Beuys, "Former" Beuys Class, 1975
      Joseph Beuys, "Former" Beuys Class, 1975
    • Joseph Beuys, A concert at the ICA, 1975
      Joseph Beuys, A concert at the ICA, 1975
    • Joseph Beuys, Wer Nicht Denken Will Fliegt Raus (Who is Unwilling to Think is Dismissed), 1977
      Joseph Beuys, Wer Nicht Denken Will Fliegt Raus (Who is Unwilling to Think is Dismissed), 1977
    • Joseph Beuys, 1 Economic Value (Hammer), 1977-1984
      Joseph Beuys, 1 Economic Value (Hammer), 1977-1984
    • Joseph Beuys, Action Third Way, 1978
      Joseph Beuys, Action Third Way, 1978
    • Joseph Beuys, Gib mir Honig (Give me Honey), 1979 ca.
      Joseph Beuys, Gib mir Honig (Give me Honey), 1979 ca.
    • Joseph Beuys, Art = Capital, 1979-1984
      Joseph Beuys, Art = Capital, 1979-1984
    • Joseph Beuys, 1 Economic Value: Axe, 1980 ca.
      Joseph Beuys, 1 Economic Value: Axe, 1980 ca.
    • Joseph Beuys, Art = Capital, 1980
      Joseph Beuys, Art = Capital, 1980
  • Press

    • THE LADY, ART BELONGS TO THE PEOPLE!
      Press

      THE LADY

      ART BELONGS TO THE PEOPLE! May 23, 2014
      A venerable institution celebrates two German artists who set teh tone for the post-war avant-garde.
    • THE OXONIAN REVIEW, BEUYS AND IMMENDORFF AT THE ASHMOLEAN
      Press

      THE OXONIAN REVIEW

      BEUYS AND IMMENDORFF AT THE ASHMOLEAN May 23, 2014
      This collection of works by Joseph Beuys (1921-1986) and Jörg Immendorff (1945-2007) is the second in a series of exhibitions of post-war and contemporary art at the Ashmole.an, presented in...
    • LONDON REVIEW OF BOOKS, AT THE ASHMOLEAN
      Press

      LONDON REVIEW OF BOOKS

      AT THE ASHMOLEAN May 22, 2014
      The​ German painter Jörg Immendorff died in 2007, at the age of 61, after a long period suffering from motor neurone disease. His reputation had been tarnished by a scandal...
    • ARTLYST, Joseph Beuys Jorg Immendorff: Art And Its Revelatory Sociopolitical Ability
      Press

      ARTLYST

      Joseph Beuys Jorg Immendorff: Art And Its Revelatory Sociopolitical Ability May 7, 2014
      Art Belongs to the People is the second exhibition at the Ashmolean Museum, Oxford, taken from the collection of the Hall Art Foundation, and is again curated by the Foundation's...
    • TREBUCHET MAGAZINE, Art Belongs To The People: Ashmolean Museum
      Press

      TREBUCHET MAGAZINE

      Art Belongs To The People: Ashmolean Museum April 16, 2014
      Art Belongs To The People: Ashmolean Museum
    • FINANCIAL TIMES, Critic's choice
      Press

      FINANCIAL TIMES

      Critic's choice April 5, 2014
      Joseph Beuys and Jörg Immendorff: Art Belongs to the People!
    • THE GUARDIAN, What’s On
      Press

      THE GUARDIAN

      What’s On April 5, 2014
      Joseph Beuys & Jörg Immendorff
  • Publications
    • Joseph Beuys and Jörg Immendorff

      Joseph Beuys and Jörg Immendorff

      Art Belongs to the People! 2014
      Hardcover 132 pages
      Publisher: Hall Art Foundation
      ISBN: 978-1-85444-292-5
      Dimensions: 220 x 280 mm
      Read more
  • Artists

    • Joseph Beuys
      Artists

      Joseph Beuys

    • Jörg Immendorff
      Artists

      Jörg Immendorff

  • Installation views: © Ashmolean Museum, University of Oxford
     
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