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    Charles Sandison, Hiroshima, 2004
    Charles Sandison, Hiroshima, 2004
    Charles Sandison, Hiroshima, 2004
    Charles Sandison, Hiroshima, 2004
    Charles Sandison, Hiroshima, 2004
    Charles Sandison, Hiroshima, 2004
    Charles Sandison, Hiroshima, 2004
    Charles Sandison, Hiroshima, 2004

    Charles Sandison

    Hiroshima, 2004
    Computer generated text on LCD screen
    Dimensions variable
    Edition 2/5 + 1 A.P.
    Hall Collection
    © the artist

    Weitere Abbildungen

    • (View a larger image of thumbnail 1 ) Naoyuki Tsuji, Children of Shadows, 2006
    • (View a larger image of thumbnail 2 ) Naoyuki Tsuji, Children of Shadows, 2006
    • (View a larger image of thumbnail 3 ) Naoyuki Tsuji, Children of Shadows, 2006
    • (View a larger image of thumbnail 4 ) Naoyuki Tsuji, Children of Shadows, 2006
    • (View a larger image of thumbnail 5 ) Naoyuki Tsuji, Children of Shadows, 2006
    • (View a larger image of thumbnail 6 ) Naoyuki Tsuji, Children of Shadows, 2006
    • (View a larger image of thumbnail 7 ) Naoyuki Tsuji, Children of Shadows, 2006
    • (View a larger image of thumbnail 8 ) Naoyuki Tsuji, Children of Shadows, 2006
    In Charles Sandison's somber video Hiroshima (2004), anonymous faces of children killed in the atomic attack on Hiroshima appear against a black background one after the other, formed out of...
    Weiterlesen
    In Charles Sandison's somber video Hiroshima (2004), anonymous faces of children killed in the atomic attack on Hiroshima appear against a black background one after the other, formed out of thousands of tiny numbers. The taxonomic structure of the work is echoed in the computerized generation of its images, whose unknown archival source underlines the uncertainty of the facts surrounding their absence and loss.
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